{"id":2089,"date":"2022-05-03T13:41:02","date_gmt":"2022-05-03T13:41:02","guid":{"rendered":"https:\/\/salarydistribution.com\/machine-learning\/2022\/05\/03\/in-the-nvidia-studio-welcomes-concept-designer-yangtian-li\/"},"modified":"2022-05-03T13:41:02","modified_gmt":"2022-05-03T13:41:02","slug":"in-the-nvidia-studio-welcomes-concept-designer-yangtian-li","status":"publish","type":"post","link":"https:\/\/salarydistribution.com\/machine-learning\/2022\/05\/03\/in-the-nvidia-studio-welcomes-concept-designer-yangtian-li\/","title":{"rendered":"\u2018In the NVIDIA Studio\u2019 Welcomes Concept Designer Yangtian Li"},"content":{"rendered":"
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Editor\u2019s note: This post is part of our weekly <\/i>In the NVIDIA Studio<\/i><\/a> series, which celebrates featured artists, offers creative tips and tricks, and demonstrates how NVIDIA Studio technology accelerates creative workflows.<\/i>\u00a0<\/i><\/p>\n

This week In the NVIDIA Studio, <\/i>we welcome Yangtian Li, a senior concept artist at Singularity6.<\/p>\n

Li is a concept designer and illustrator who has worked on some of the biggest video game franchises, including Call of Duty<\/i>, Magic: the Gathering <\/i>and Vainglory<\/i>. Her artwork also appears in book illustrations and magazines.<\/p>\n

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Dreams of the Past (left) and Elf Archer by Yangtian Li.<\/figcaption><\/figure>\n

Li\u2019s impressive portfolio features character portraits of strong, graceful, empowered women. Their backstories and elegance are inspired by her own life experiences and world travels.<\/p>\n

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Snake Witch by Yangtian Li.<\/figcaption><\/figure>\n

Now based in Seattle, Li\u2019s artistic journey began in Chengdu, China. Her hometown serves as the inspiration behind her extraordinary portrait, Snake Witch<\/i>. This unique and provoking work is based on tribal black magic from Chinese folklore. Li drew and painted the piece, powered by a GeForce RTX GPU<\/a> and the NVIDIA Studio<\/a> platform.<\/p>\n

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Up close, viewers can feel the allure of the Snake Witch.<\/figcaption><\/figure>\n

Snake Witch <\/i>is a product of Li\u2019s fascination with black magic, or \u201cGu,\u201d where tribal witch doctors would gather toxic creatures, use their venom to make poison and practice the dark arts. \u201cI always thought the stories were fascinating, so I wanted to do a take,\u201d Li said. \u201cSnakes are more appealing to me, and it helps to create some interesting compositions.\u201d<\/p>\n

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Li chooses to keep it simple before diving in on the details.<\/figcaption><\/figure>\n

After primarily working in 2D, Li moves to 3D to support her concept process. She adds, \u201chaving a high-end GPU really helps speed up the process when it comes to using Blender, Zbrush and so on.\u201d These speed-ups, she says, are particularly noticeable with GPU-accelerated rendering in Blender Cycles 3.0, achieving results that are over 5x faster<\/a> with a GeForce RTX laptop GPU compared to a MacBook Pro M1 Max or CPU alone.<\/p>\n

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With the Snake Witch\u2019s character foundation in a good place, Li used the Liquify filter to subtly distort her subject\u2019s facial features.<\/p>\n<\/p>\n

Liquify<\/a> is one of over 30 GPU-accelerated features<\/a> in Adobe Photoshop, like AI-powered Neural Filters<\/a>, that help artists explore creative ideas and make complex adjustments in seconds.<\/p>\n

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Li uses adjustment layers in the coloring phase of her process, allowing for non-destructive edits while trying to achieve the correct color tone.<\/p>\n

If unsatisfied with an adjustment, Li can simply delete it while the original image remains intact.<\/p>\n

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\u201cThe more life experiences you have, your understanding of the world evolves, and that will be reflected in your art.\u201d<\/p>\n<\/div>\n

Finally, Li adjusts lighting, using the Opacity feature to block light from right of the image, adding a modicum of realistic flair.<\/p>\n

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The devil is in the details, or in this case, the Snake Witch.<\/figcaption><\/figure>\n

Remaining in a productive flow state is critical for Li, as it is for many artists, and her GeForce RTX GPU allows her to spend more time in that magical creative zone where ideas come to life faster and more naturally.<\/p>\n<\/p>\n

Li goes into greater detail on how she created Snake Witch<\/i> in her Studio Session. This three-part series<\/a> includes her processes for initial sketching, color and detail optimization, and finishing touches.<\/p>\n

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Previously, Li has worked as a senior concept artist and designer at Amazon Game Studios, Niantic and Treyarch, among others.<\/figcaption><\/figure>\n

Check out Li\u2019s portfolio<\/a> and favorite projects on Instagram<\/a>.<\/p>\n

Accelerating Adobe Creators <\/b>In the NVIDIA Studio<\/i><\/b><\/h2>\n

More resources are available to creators seeking additional NVIDIA Studio features and optimizations that accelerate Adobe creative apps.<\/p>\n<\/p>\n

Follow a step-by-step tutorial in Photoshop that details how to apply a texture from a photo to a 3D visualization render.<\/p>\n<\/p>\n

Learn how to work significantly faster in Adobe Lightroom by utilizing AI-powered masking tools; Select Subject and Select Sky.<\/p>\n

Follow NVIDIA Studio on Facebook<\/a>, Twitter<\/a> and Instagram<\/a>, access tutorials on the Studio YouTube channel<\/a>, and get updates directly in your inbox by joining the NVIDIA Studio newsletter<\/a>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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